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Swift also found a new sense of creativity within this new mindset, one where she aimed to still embed playful themes in her songwriting but with less snark than that of "Blank Space" and "Look What You Made Me Do." Leaning into Lover being a "love letter to love," Swift explored every aspect of it. After finding love amongst chaos with reputation, Swift was learning to deal with the anxiety and fear of losing her partner — became a major betista casino theme of another aptly titled album, Lover. With time, though, it became clear that the response to reputation became muddled with the public's overall perception of her at the time — some even claimed that Swift was ahead of her time with the album's overall sound. Although Swift said that the album has its vindictive moments — even declaring that the "old Taylor" is dead on the bridge of "Look What You Made Me Do" — it's a vulnerable record for her. Following the release of 1989, Swift became a cultural juggernaut, and the album has had an omnipresence in music since. And where some might trade a hit or two at the expense of their artistic integrity, Swift didn't falter — instead, her lyrics were just as heartfelt and intimate as they were on prior albums. True to her Carribean heritage, Rihanna's dancehall-inspired debut single "Pon de Replay" earned the then 17-year-old Barbados native her first entry on the Hot 100 at an impressive No. 2. As the world eagerly awaits new music, celebrate 20 years of Rihanna with the monstrous hits, ambitious projects, brow-raising visuals, and iconic collabs that propelled her to international stardom — and why it's all put her in a league of her own. Performing hit after hit while unveiling a baby bump, her 13-minute set became one of the most-watched halftime shows of all time with over 121 million viewers. Even her business ventures have been a massive success, as her Fenty Beauty brand is worth nearly $3 billion as of press time. Nancy was largely unaware of its popularity as a hip-hop sample, and didn't receive royalties for the tune (itself owned by producer Winston Riley, who died in 2012). She never stopped performing, and while Sister Nancy traveled as far as Israel to sing, she was often relegated to multi-artist bills — and not in the largest text. It's been used in film and television, including prominently in 1998's Nas- and DMX-featuring Belly. Multiple sources consider it the most sampled reggae song ever (WhoSampled.com counts 155 samples), with Beyoncé, Madlib, Run D.M.C., Lauryn Hill, Chris Brown, Alicia Keys, Ariana Grande, and Buju Banton and many others pulling from Nancy's crisses lyrics. Sister Nancy wouldn't perform the song on a Jamaican stage for eight years, until she featured at 1990's Sting competition. "I went with Yellowman to Harry J's Studio. Yellowman did a 'Bam Bam,', and I had to finish my One, Two album, and I just said I am going to do a tune like Yellowman did. And I did 'Bam Bam,' my way," Nancy recalls.

  • An interpolation of Toots and the Maytals' 1966 song of the same name, Sister Nancy's in-studio freestyle was laid over sparse rub-a-dub production, allowing her declaration of ambition and skill to ring loud and clear.
  • Some songs, like "peace," were recorded in just one take, capturing the essence and fragility in the song's story, whereas the lyrics for the sun-drenched "august" were penned on the spot as Swift was in her makeshift home studio in Los Angeles.
  • With its follow-up, "Our Song" — which spent six consecutive weeks on the top of Billboard's Hot Country Songs chart — she became the youngest person to solely write and sing a No. 1 country single; she also became the first female solo artist in country music to write or co-write every song on an album.
  • In June 2010, she collaborated with rapper Eminem on the single "Love the Way You Lie".
  • Vulnerability is explored on the pop and synth-pop record Unapologetic (2012), which Vulture described as an "act of defiance ... to sort out her feelings about her ... ex-boyfriend Brown and her public image".
  • In 2022, Rihanna advocated for reforming the global financial system to better address climate change and poverty, including providing aid to nations most affected by climate-related crises.

Met Gala pays tribute to Black fashion and designers and includes Rihanna pregnancy surprise

In contrast to the fairytale motifs and happy endings of Fearless, evermore saw Swift become fixated on "unhappy" endings — stories of failed marriages ("happiness"), lifeless relationships ("tolerate it"), and one-time flings ("'tis the damn season"). Like its (literally) folklorian sister, evermore was a surprise release at the end of 2020, marking the first time Swift didn't have distinct "eras" between albums. It was exciting enough for Swifties to experience one surprise album drop from Swift, an artist who typically has an entire album campaign calculated. At the 2021 GRAMMYs, folklore took home Album Of The Year, making her the fourth artist in history to win three times in the Category. After its release, folklore became the best-selling album of 2020 after selling 1.2 million records. Lover became Swift's sixth No. 1 album in America, making her the first female artist to achieve the feat.

Speak Now: Proving Her Songwriting Prowess

Lead single "We Found Love" is undeniably the biggest hit to stem from the Talk That Talk era, spending 10 consecutive weeks atop the Hot 100. Her longing continues in "Where Have You Been," which flaunts Rihanna's versatility, flipping Geoff Mack's 1959 country song "I've Been Everywhere" into an infectious EDM banger. It was especially refreshing to see Rihanna emerge from one of the darkest periods of her life as exuberant as ever. A pop and reggae album, A Girl Like Me peaked at number five on the Billboard 200 chart, with 115,000 copies sold in the US in its first week. Impressed, Rogers arranged a second meeting with Rihanna and her mother—this time without the other two girls—and later invited them to his hometown in Connecticut to record demo tapes for record label submissions. Around this time, Rihanna began listening to reggae artists such as Sizzla and Damien Marley, as well as R&B musicians like Whitney Houston and Mariah Carey. She is the highest-certified female digital single artist by the Recording Industry Association of America, and has seven diamond-certified singles and fourteen number-one singles on the Billboard Hot 100. These albums contained the US number-one singles "Rude Boy", "Only Girl (In the World)", "What's My Name?", "S&M", "We Found Love", "Diamonds", and "Work". The albums spawned the singles "Pon de Replay" and "SOS", which peaked at numbers two and one on the US Billboard Hot 100, respectively.
  • As Swift revealed on May 30, she bought back the master recordings of her first six albums, marking the first time she's been in control of her entire discography.
  • Its win for Best Urban Contemporary Album at the 2014 GRAMMYs, however, proved that Rihanna's reign wasn't letting up anytime soon.
  • Currently certified sextuple Platinum, ANTI also remains the longest-charting album by a Black female artist on the Billboard 200, with more than 508 weeks and counting.
  • Commercially, Red debuted at No. 1 on the Billboard 200 and sold 1.2 million copies in its first week, becoming the fastest-selling country album and making Swift the first female artist to have three consecutive albums spend six or more weeks at the top of the chart.
  • In March, Rihanna and Brown released two remixes—her track "Birthday Cake" and his "Turn Up the Music"—which were criticized due to their history of domestic violence.
  • Aiming to dismiss her girl-next-door image in favour of a more mature and rebellious persona, she worked with such producers as Ne-Yo, Timbaland, Justin Timberlake, and Tricky Stewart for the album.
  • This made her the artist with the most digital single awards and the first performer to exceed RIAA's 100 million cumulative singles certification threshold.
Swift still remained in the pop lane with reputation, largely leaning on Antonoff and the Martin/Shellback team. She stayed away from public appearances, didn't do any press, and missed the album schedule fans became accustomed to. For years, Swift was on a strict two-year cycle — she'd release an album one year, tour the next, and then release a new album the following year. In turn, Billie Eilish, Dua Lipa and more pop stars have refused to conform or stick to what they've done prior.

Want to know what everyone in the music business is talking about?

Elizabeth Taylor has appeared as a character in Swift's songs before, particularly in rep's "Ready For It…?" where she compares herself to the famous actress and entertainer. Comparatively, "Eldest Daughter" — track five, a spot Swift notoriously reserves for the most emotional song — is a love song about the masks we wear and the selves we choose to reveal. Throughout the record, dynamic and layered pop soundscapes mimic the same energy Swift was feeling both on and off stage. "I thought who better to ask to be a part of this song than the ultimate showgirl Sabrina Carpenter." Instead of writing songs akin to "I Can Do It With A Broken Heart," a song about performing in the midst of heartbreak and grief, Swift opted to focus on what people don't necessarily see when they buy a ticket to a show. Now that the curtain is up and The Life of a Showgirl is out, read on for five key essential insights from Taylor Swift's new album. The lead single, "Work", topped the US Billboard Hot 100 chart, with the third and fourth singles, "Needed Me" and "Love on the Brain", peaking within the top ten. With an eclectic blend of genres such as pop, dancehall, and psychedelic soul, Anti peaked at number one on the Billboard 200, marking her second chart-topping record in the US. It spent ten non-consecutive weeks at number one on the Billboard Hot 100, making it both Rihanna's longest-running chart-topping single and the longest-running number one song in the US in 2011. To support the album, Rihanna launched the Loud Tour in June 2011, which included a record-breaking ten sold-out shows at The O2 Arena in London—the most by a female artist in the venue's history. A daily briefing on what matters in the music industry Jan. 26, Rocky scored his first Billboard 200 No. 1 album in more than a decade with Don’t Be Dumb, which Rihanna celebrated via X, writing, “Just me here to let yall know my baby daddy got the NUMBER 1 ALBUM!!! While some fans are wallowing in their 10th year without a new Rihanna album, everyone’s favorite Bajan Bad Gal is celebrating the massive success her ANTI album has generated during that period. This is the second such soundtrack she has contributed to for an animated movie, recording several anthems for "Home," a 2015 film she starred in alongside the "Big Bang Theory" star Jim Parsons.

The Life of a Showgirl: Offering A Peek Behind The Curtain

Gleefully playing the witch doctor, prolific singer/bassist Esperanza Spalding individually released every song (and an accompanying video) from her seventh album across 11 days before serving up its cauldron of genre-hopping sounds in full. (Rih recorded an equally moving sequel for her Loud album.) Three years later, the two confronted their inner demons in "The Monster," and their musical chemistry scored a GRAMMY in 2015 for Best Rap/Sung Collaboration. Final single "Te Amo" didn't chart, but garnered a great deal of attention as the Latin-infused Stargate production depicts Rihanna being enticed by a female love interest. It also marked Rihanna's first time veering away from her "girl next door" image, as the song's subject matter deals with infidelity. Follow-up single "If It's Lovin' That You Want" stalled at No. 36 on the Hot 100, but still whetted fans' appetite — as did her debut album, Music of the Sun, which is mostly comprised of dance-pop and dancehall tracks with hints of R&B (like "Willing to Wait"). Shortly after her 16th birthday, Rihanna left her home country for the U.S. to record a demo, which included her breakthrough hit "Pon de Replay." The demo found its way into Jay-Z's hands, and Hov signed the teen artist to Def Jam and the label expedited her 2005 debut album, aptly titled Music of the Sun.

Trending on Billboard

Rihanna also said that Carey's "Vision of Love" (1990) was the song that inspired her to pursue a career in music. Vulnerability is explored on the pop and synth-pop record Unapologetic (2012), which Vulture described as an "act of defiance ... to sort out her feelings about her ... ex-boyfriend Brown and her public image". Rihanna's rock-imbued record Rated R (2009), released after the assault by her then-boyfriend, Chris Brown, had a much darker tone and was filled with various emotions she experienced since then. Everything that happened after the success of Fearless pushed Swift from country music's best-kept secret to a mainstream star. It might not be the romantic tale Swift dreamed of growing up, but her sophomore album signalled that bigger things were to come. It won Swift's first Album Of The Year GRAMMY in 2010, at the time making her the youngest person to win the accolade at age 20. Rihanna’s first studio album, Music of the Sun, was released in August 2005 to much intrigue. Her last No. 1 single, “Work” featuring Drake, topped the chart for nine weeks. Her first No. 1 song, “SOS,” topped the chart for three weeks in 2006, while her Grammy-winning Jay-Z collaboration “Umbrella” far surpassed that the following year, maintaining the lead spot for seven weeks. She also won her first GRAMMY in 2008 (Best Rap/Sung Collaboration for "Umbrella") and scored four other nominations, including Record Of The Year. Good Girl Gone Bad remains Rihanna's best-selling album and marks her greatest reinvention as she adopted a more rebellious sound. The melancholy "Rehab" is a clever metaphor for lost love, co-written by Timbaland and Justin Timberlake. Produced by Tricky Stewart, the LP's juggernaut lead single "Umbrella" featuring Jay-Z skyrocketed to No. 1 in 17 countries. Her official introduction to the world also hit No. 1 on the Billboard Dance Club Songs chart; she boasts 33 on the tally, second behind only the Queen of Pop herself, Madonna. "And, baby, that's show business for you," Taylor Swift declared after announcing her 12th full-length album, The Life of a Showgirl. But with The Life of a Showgirl, it's clear she's closing the chapter — or should we say era — of her life that was the catalyst to the new one she's stepping into. Yes, she is still the same artist who wrote the fairytale-tinged record Fearless, crafted the indie pandemic escape that was folklore, and dove into the depths of her sadness on The Tortured Poets Department. After the muted sonic tones of The Tortured Poets Department, The Life of a Showgirl is possibly Swift's most jubilant album yet. Though it's been close to a decade since Rihanna's last studio album, 2016's ANTI, she reminded the world of her reign with her 2023 Super Bowl halftime show — which also marked her first time taking the stage in five years. She has sold over 60 million albums worldwide, landed 14 Billboard Hot 100 chart-toppers, and won nine GRAMMY Awards. As Rihanna's debut album, 'Music of the Sun,' turns 20, take a deep dive into the superstar's catalog and her evolution from teen idol to beloved icon. Though a new album still eludes the Rihanna Navy, their fearless leader hasn’t been completely musically absent in the years since ANTI‘s release. Instead, she wanted to capture the years of her life while they still represented what she was going through, writing about what she was observing and experiencing, from love and friendship to feeling like an outsider. Written throughout her adolescence, Taylor Swift was recorded at the end of 2005 and finalized by the time Swift finished her freshman year of high school. In a genre dominated by men, the odds were already stacked against Swift when she first broke into country music as a teenage female artist. The Tortured Poets Department proves that in the throughline of Taylor Swift's many artistic eras is a commitment to exploration and a love of autobiographical lyricism. Celebrating her genre-defying and varied discography through The Eras Tour has resulted in old songs having a resurgence, new inside jokes and Easter eggs within the fandom, and a plethora of new listeners being exposed to Swift's work. Country songs like "cowboy like me" and "no body, no crime" reaches back to Swift's earlier work in narrative building, seamlessly crafting a three-party story with ease.
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